Finally a reissue worthy of the name for this very good score by Morricone. In the same vein as another score made the same year, “The Exorcist II The Heretic”. By mixing the two scores, we obtain a complete and less redundant work, because it is clear that Morricone used, as usual, musical stylistic elements present in one to create another composition with the same plot. The way in which all this is superimposed is astonishing, there is really only Morricone to achieve this kind of sleight of hand. Thank you, admin, for this.
This is a usual working method for Ennio Morricone. Here it is really obvious. Usually he dresses his work completely differently to reuse it a second time. That said, on “The Exorcist II” Morricone embellishes the score with pop, sad and romantic themes with all the know-how he is capable of so that it goes down like a charm…. These are two beautiful works that are in reality only one and the same score, one declining the other, with a sense of thematic variation of which he possessed the secret. To summarize, I would say that what was “perhaps” missing on Holocaust 2000, Morricone composed it on The Exorcist or vice versa.
12 comments
Thank you very much 🙂
Thanks!!
Thank you very much!! 🙂
Thank you so! Cheers!!
Gracias por compartirla.
Appreciate the share Admin dude 🙂
one of my favourite
Hvala.
Many thanks! always,
Finally a reissue worthy of the name for this very good score by Morricone. In the same vein as another score made the same year, “The Exorcist II The Heretic”. By mixing the two scores, we obtain a complete and less redundant work, because it is clear that Morricone used, as usual, musical stylistic elements present in one to create another composition with the same plot. The way in which all this is superimposed is astonishing, there is really only Morricone to achieve this kind of sleight of hand. Thank you, admin, for this.
it is a lovely reissue, and until you mentioned it, I could hear Exorcist 2 at its roots, but didn’t know why.
This is a usual working method for Ennio Morricone. Here it is really obvious. Usually he dresses his work completely differently to reuse it a second time. That said, on “The Exorcist II” Morricone embellishes the score with pop, sad and romantic themes with all the know-how he is capable of so that it goes down like a charm…. These are two beautiful works that are in reality only one and the same score, one declining the other, with a sense of thematic variation of which he possessed the secret. To summarize, I would say that what was “perhaps” missing on Holocaust 2000, Morricone composed it on The Exorcist or vice versa.