Genre: Score
Date: 2020
Country: USA
Audio codec: MP3
Quality: 320 kbs
Playtime: 2:19:53
Thanks to OnyX
01. 1m01 Prologue (6:45)
02. 1m02 Train Yard (1:58)
03. 1m03 Windmill Training (2:37)
04. 1m04 Bullet Experiment (4:00)
05. 1m04B Mumbai (1:01)
06. 1m05 Meeting Neil _ Bungee Jumping (2:30)
07. 2m06 Break In Mumbai (3:21)
08. 2m07 Plan For Getting Out (4:12)
09. 2m08 Blackmail (2:25)
10. 2m09 Kitchen Fight (1:04)
11. 2m10 Freeport Investigation (4:27)
12. 2m11 Airplane Hijack (3:47)
13. 3m12 Holding Breath (1:38)
14. 3m13 Hasn’t Happened Yet (3:55)
15. 3m14B Back To Mumbai (3:38)
16. 3m16 Who’s The American? (1:13)
17. 3m16B Dinner (2:24)
18. 3m17 Sailing (2:29)
19. 3m18 Sator’s Past (2:15)
20. 4m19 Spying On Sator (4:55)
21. 4m20 Dead Drops (3:33)
22. 4m22B Trucks In Place (5:42)
23. 4m25 The Exchange (3:17)
24. 4m26 Catherine Shot (3:49)
25. 5m26A Becoming Inverted (2:20)
26. 5m26B Proving Window (3:24)
27. 5m27 Retrieving The Case (2:02)
28. 5m28 Car Chase (1:35)
29. 5m29 Car Explosion (0:59)
30. 5m30 The Algorithm (3:50)
31. 5m31 Crashsite Entry (6:10)
32. 5m35 Policy To Supress (1:35)
33. 6m35A Nine Sections (2:43)
34. 6m36-37 Warn Me (7:24)
35. 6m38 Two Teams (4:39)
36. 6m39 Ground Assault (6:38)
37. 6m41 Not Clear (1:47)
38. 7m41 Not Clear B (5:23)
39. 7m42 Time’s Up (3:12)
40. 7m43B Time’s Up B (1:19)
41. 7m44 Dive (0:42)
42. 7m45 Mission Accomplished (4:58)
43. 7m47 End Titles (2:58)
16 comments
Are these the recording sessions?. So there is no sfx right?. Can anyone confirm?. Would appreciate it. Thanks again for this wondrous upload.
No SFX. Actual official tracks. They leaked as a FYC score for the bafta awards.
Link to the website where the tracks leaked:
https://www.wbawards.com/bafta/score/?film=tenet
excellent upload. thanks for the hard efforts. could you please do a completer score? recording sessions without sfx for fantastic beasts Crimes of grindelwals by James newton howard. have been searching since the movie came. could you please try to get it?? thanks
Brilliant!! Thanks so much
awesome! many thanks!
Can You Upload The Fireball XL5 Soundtrack & Justice League VS. The Fatal Five Soundtrack
Gracias por compartirla.
When you can’t get Zimmer because he’s busy doing Dune, Get this guy to ape his style. blindfold me all you want, but I can still tell off-brand grocery store cola from CLASSIC COKE.
You and me both 🙂 He did a good job but I felt at times, he literally had his paws in Zimmer’s library of ‘cues and effects’ cause it was all there. While it was okay, I am starting to wonder the taste Nolan has in music, as much as I love the guy, Zimmers work for Scott compared to Nolan is like two different worlds colliding. I loved Interstellar but the music was utter torture, too loud and a mess… on the score it had some beautiful elements but still at times it was just a jumbled mess of loud noise that wasn’t coming off that well. In the movie it felt like the sound editing wasn’t hearing well…
His personal taste can be Pink Floyd or Tangerine Dream, but doing movies he obviously wants everything to be [labeled] ‘super classy’ and fashionable, and in this decade having Zimmer or one of his followers/immitators hightens the chance of exactly that. Same with Villeneuve by the way: to completely miss (musically at least) such opportuninty as Blade Runner in favour of just some fashionable noisy mess with one OK theme was unforgivable imo. 🙁
Wow, are we really going to get a new Tenet release every month?
Thanks
If this is available in FLAC could you please add it? Thank you!
Can someone kindly explain what the signatures prefacing the tracks are all about, for example “1m01”.
For the record, I have never liked the commercial version of film scores that are typically released by labels. I ALWAYS prefer (whether it’s a fan compilation or a re-release or even a re-recording) a score that accurately reflects the way the musical cues were actually used in the film; not intended, USED. On that score, no pun intended, this is the ONLY version of the film’s music that I listen to. Thanks OnyX!
In regard to the somewhat unflattering comparisons to Hans Zimmer, I have tried to appreciate Zimmer’s modernistic “aural landscapes” over the years, but it just leaves me cold and irritated; they are a far cry from “Driving Miss Daisy”. For me, maybe for others, a great score, maybe even just a good one, MUST employ a level of musicality that features enriched melodies, even if only for the main leitmotifs. Think “Out of Africa”, “Jurassic Park” or “The Mission”. Call me old-fashioned but atonal bombast is more akin to sound design rather than film scoring. I really wanted to love Zimmer’s work on Dune, but, sadly, I couldn’t get through the experience and gave up barely fifteen minutes in.
Muito obrigado por mais essa trilha !