Genre: Score
Date: 2006 (1987)
Country: USA
Audio codec: MP3
Quality: 320 kbs
Playtime: 2:05:40
Thanks to OnyX
01. 1m01 20th Century Fox Fanfare (0:24)
02. 1m02 Space Sequence And Base Arrival (3:50)
03. 1m03 Rope Down Maneuver (0:40)
04. 1m04 A Shot Down Chopper is Found (Album Version) (3:37)
05. 1m04 A Shot Down Chopper is Found (Film Version) (3:49)
06. 1m05 Grim Discovery (0:40)
07. 2m06 Skinned Green Berets (1:19)
08. 2m07 Intrared Watcher (2:08)
09. 2m08 The Enemy Encampment Surrounded (3:03)
10. 2m09 CIA Intrigue Revealed (1:20)
11. 2m10 The Shootout (1:26)
12. 2m11 You Set Us Up (1:21)
13. 3m12 A Way Out (0:57)
14. 3m13 Scorpion (0:32)
15. 3m14 Predator Stalking (2:10)
16. 3m15 Mexican Jungle Treck (1:48)
17. 3m16 Anna On The Run/Hawkins Is Butchered (Album Version) (6:00)
18. 3m16 Anna On The Run (2:41)
19. 3m17 First Strike (0:40)
20. 3m18 HawKins Is Butchered (6:00)
21. 4m19 Blain Gets Shot (0:47)
22. 4m20 Mac Mourning (Album Version) (1:26)
23. 4m20 Mac Mourning (Film Version) (2:13)
24. 4m21 Predator’s First Aid (Album Version) (0:59)
25. 4m22 Predator’s First Aid (Film Version) (0:59)
26. 4m23 Dutch’s Plan/Alien Blood On The Leaves (2:02)
27. 4m24 Night Watch (1:07)
28. 4m25 Wild Boar Alarm (Album Version) (1:28)
29. 4m25 Wild Boar Alarm (Film Version) (1:39)
30. 4m26 Building A Trap (Album Version) (3:04)
31. 4m26 Building A Trap (Film Version) (3:52)
32. 5m27 Lying In Wait (3:28)
33. 5m28 The Hunt Is On (Album Version) (4:53)
34. 5m28 The Hunt Is On (Film Version) (5:19)
35. 5m29 Mac’s Bod/Dillon Dies (2:07)
36. 5m30 Billy The Challenger/Dutch Disarmed (2:35)
37. 5m31 Camouflaged In Mud (2:07)
38. 5m32 Traps And Trophies/Getting Ready For Action (4:43)
39. 5m33 Dutch Is Challenging (Album Version) (2:35)
40. 5m33 Dutch Is Challenging (Film Version) (1:33)
41. 5m34 The Fight (1:40)
42. 5m35 Predator Visible (Album Version) (4:12)
43. 5m35 Predator Visible (Film Version) (4:28)
44. 6m36 Ugly Motherfucker/Hand To Hand Combat (Album Version) (3:13)
45. 6m36 Ugly Motherfucker/Hand To Hand Combat (Film Version) (3:13)
46. 6m37 The Log Hits Last/Laugh And Self Destruction (3:43)
47. 6m38 Leaving Puerto Vallarta/Anna & Dutch Are Saved (Album Version) (2:16)
48. 6m38 Leaving Puerto Vallarta/Anna & Dutch Are Saved (Film Version) (1:09)
49. 6m39 End Cast And Credits (4:03)
50. 6m40 Predator Theme (4:08)
51. 6m41 Silver Pictures Logo (0:19)
52. 6m42 Silver Pictures Logo [Alternate] (0:22)
16 comments
Thank you very much sire! Cheers!
Great film/score. Much appreciated. 🙂
Greetings Admin
Is there a record season for Tron Legacy?
If you hear it, make it available to us.
Grateful!
Oui, un double cd (promo), avec les arrangements de Bruce Broughton, ainsi que des alternatives.
any chance to have this file re-uploaded? Thx!
problem solved. Thx
One ugly mutherphuker… but a fantastic score!
Thanks for the share, admin +OnyX
Ohh… different… Thank you!
Excellent! Thank you
Awesome Thank you so much !!!
Possible to add a FLAC link please?
I think Alan Silvestri probably was not the right composer for an action-thriller like Predator. Or rather his style. Silvestri has an iconic and unmistakeable sound that distracts from this movie imo. Probably because I will always connect his music with Back to the Future. Or because he made the music for too many family-fit films. The jungle-drums effect is what’s most remarkable to me, a signature-sound of Predator. Well, Silvestri is a master of his profession and they could have chosen a way less fitting music. Pardon for my prattling away and thanks a lot for sharing!
Hello BONNIEBARKO, I think you’re totally right. Alan SILVESTRI is a great composer but he was not for me the good choice for this project. Basil POLEDOURIS, Mikael KAMEN or Jerry GOLDSMITH (of course) would be better alternative solution. By the way, it’s not catastrophic, far from it…Kind regards
You’re crazy. He was exactly right for it. This is synonymous with the movie, and every beat is perfect. His “incidental music” might sound similar to “Back To The Future”, but his main theme here is downbeat and ominous and wouldn’t be out of place with a Daniele Amfitheatrof jungle adventure. Goldsmith would have been crashy, Poledouris could have been interesting, but might have tended towards lyrical, Kamen might have been a good choice. But all this “coulda, woulda, shoulda”, when Silvestri created one of the most iconic, perfect scores in Hollywood history?! And in “Predator 2” extended it with moaning terror that is most definitely not “family fair”. I think some of you people need to go back to Silvestri’s repertoire and listen some more, because the man is one of the greats. You’ll all be hypocrites after he’s gone, saying “Oh, somebody like Silvestri would have been great for this…”
Ridiculous, all of you.
better sound quality
BONNIEBARKO & LAURENT: While I would have loved to hear what Goldsmith would have done with this, I think Silvestri was a fine choice. He’s an excellent action scorer, and his music for films like Van Helsing, G.I. Joe, and the Avengers films (all except Ultron, which was by Brian Tyler and Danny Elfman) is much better and more listenable than the cookie-cutter action music in most films today. For evidence, check out his fantastic score to The Mummy 2, in which he goes toe-to-toe with Goldsmith’s score of the first film and doesn’t flinch.