I think this OST is a good example for representing today’s mainstream way of making music for film. I believe that it’s obvious how contemporary composers relate on rather random (ai-supported) sound-scapes instead of creating actual melodies that transport the mood and action in the respective film-scenes. I don’t rate composing-skills, but I still want to point out how random and interchange-able so many soundtracks are – like playing etudes instead of the final work. I also believe that many people still can easily combine many movies with certain, unique melodies – and the other way ’round. This is what OSTs like this – miss. Anyway, thanks for sharing.
8 comments
Thanks!
Thank you very much!! 🙂
Thank you so! Cheers!
Gracias por compartirla.
Appreciate the share Admin man! 🙂
Thanks!
Thank you very much.
I think this OST is a good example for representing today’s mainstream way of making music for film. I believe that it’s obvious how contemporary composers relate on rather random (ai-supported) sound-scapes instead of creating actual melodies that transport the mood and action in the respective film-scenes. I don’t rate composing-skills, but I still want to point out how random and interchange-able so many soundtracks are – like playing etudes instead of the final work. I also believe that many people still can easily combine many movies with certain, unique melodies – and the other way ’round. This is what OSTs like this – miss.
Anyway, thanks for sharing.