Genre: Score
Date: 2015
Country: USA
Audio codec: MP3/FLAC
Quality: 320 kbs/lossless
Playtime: 2:19:54
1. 1m0 Opening Stinger (0:20)
2. 1m1 SHIELD Headquaters (0:11)
3. 1m1A Marvel Logo (0:28)
4. 1m8 Scott Is Fired (0:33)
5. 1m10a Pym Technologies (2:05)
6. 1m10c The Yellowjacket (2:27)
7. 1m10d Frank Is Concerned (1:41)
8. 1m12 Hot Shot (0:45)
9. 1m12b Jello Shot (2:11)
10. 2m12d Child Support Math (0:35)
11. 2m13 11 – Old Man Have Safe (2:26)
12. 2m16a Breaking Into Pym_s (Part 1) (1:23)
13. 2m16bcd Breaking Into Pym_s (Part 2-4) (3:37)
14. 2m16e ExperimAnt 34C (1:04)
15. 2m18 Bathtime (1:00)
16. 2m20 Rat Chase (1:26)
17. 3m17 Honey, I Shrunk Myself (2:29)
18. 3m24 Second Chance (1:00)
19. 3m24b Jello Shot (1:07)
20. 3m25 Escape From Jail (1:52)
21. 3m25b Ant 247 (1:13)
22. 3m26 Paraponera Clavata (1:24)
23. 3m27 Speaking To Ants (1:26)
24. 3m28 Pym_s Lab (1:27)
25. 4m31 Honey, I Shrunk The Sheep (0:40)
26. 4m32 The PertinANT Details (1:08)
27. 4m33 Become The Hero (1:53)
28. 4m34 I_ll Call Him…Antony (2:50)
29. 4m35 Tiny Telepathy (2:02)
30. 4m37 Scott and Hope Chat In Car (2:16)
31. 4m38 San Francisco, 1987 (2:37)
32. 4m39 Training Montage (0:46)
33. 5m34 Failure Montage (Part 1) (5:11)
34. 5m34a Failure Montage (Part 2) (2:31)
35. 5m36 Hope Controls Ants In Kitchen (2:02)
36. 5m37 Scott and Hope Chat In Car (0:39)
37. 5m38 Your Mom Died A Hero (2:04)
38. 5m41 First Mission (3:24)
39. 5m42 Ant-Man Vs Falcon (2:00)
40. 5m44c Scott Shrinks For Wombats (0:22)
41. 5m45b The Situation Room (0:27)
42. 5m46 ANTfiltration (1:21)
43. 5m48 CrossTech Break-In (1:48)
44. 6m43 Signal Decoy (0:51)
45. 6m44 Cross Visits Pym (2:07)
46. 6m44a Cross Gets Cross (1:53)
47. 6m44b The Water Main (1:15)
48. 6m45 Scott Visits Cassie (0:55)
49. 6m47 Scott Surfs On Ants (1:12)
50. 6m49 Hornet_s Nest (0:57)
51. 6m49a Into The Hornets Nest (3:00)
52. 6m50a The Server Room (Part 1) (1:46)
53. 6m50c The Server Room (Part 2) (2:10)
54. 6m51 The Ant Trap (2:50)
55. 6m53ab FistANTcuffs (1:37)
56. 6m53c A Center For Ants! (1:15)
57. 6m53e Out Of Ant-frica (1:20)
58. 6m54 Fight Of The Bumblebee (1:44)
59. 6m56 Paxton Tazes Scott In Yard (0:25)
60. 6m56a The Bug Zapper (0:22)
61. 6m57 1035 In Progress (Part 1) (0:16)
62. 7m50 The Good, The Bad, ANT The Ugly (3:18)
63. 7m51 The Ant Trap (2:14)
64. 7m53a FistANTcuffs (0:38)
65. 7m53b Aunt Flo (1:18)
66. 7m53d Hank The Tank (0:55)
67. 7m53e Out Of Ant-frica (1:04)
68. 7m54 Fight Of The Bumblebee (1:15)
69. 7m55 Backyard BBQ (0:33)
70. 7m56 Paxton Tazes Scott In Yard (0:20)
71. 7m57 1035 In Progress (Part 2) (0:16)
72. 7m59a Ants On A Train (1:44)
73. 7m59c Paxton_s GigANTic Surprise (0:14)
74. 7m60b Small Sacrifice (3:36)
75. 7m61 Scotty Doesn_t Know (1:09)
76. 7m62 Thank You Paxton (1:22)
77. 7m64 About Damn Time (1:00)
78. 7m65 Tales To Astonish! (1:48)
79. 8m58 1035 In Progress (Part 3) (1:11)
80. 8m59a Ants On A Train (2:12)
81. 8m59b Paxtons GigANTic Surprise (0:58)
82. 8m60a Ant-Man Vs Yellowjacket (0:37)
83. 8m60b Quantum Abyss (1:53)
84. 8m60c Peanut (1:07)
85. 8m61 Scotty Doesn_t Know (1:23)
86. 8m62 Thank You Paxton (1:21)
87. 8m62a Insecticide (2:52)
88. 8m62b Avengers Need Small Man (1:18)
89. 8m63 Mains On Ants (2:45)
90. 8m64 About Damn Time (0:40)
91. Theme From Ant-Man (2:46)
MP3 – Download “Ant-Man” Soundtrack
FLAC – Download “Ant-Man” Soundtrack
13 comments
holy ****! thank you!
can anybody explain what the prefix markings for each song mean? i.e. “8m10e” thanks!
It’s the day and the cue number. “2m16e” normally means it’s the 16th cue from the 2nd day of recording, “e” meaning it’s a cue in five parts. Although this one’s a bit odd. Six days seems an awful lot for a score like this. And the cue numbers seem to be the overall no. of the cue across all days.
It’ time. Movie synchronization…
Holy cow! Thank you Ant-Man if my favorite of all the Marvel Soundtracks.
Big fan of Christophe Beck since his days scoring Buffy.
broeser – thank you! perhaps the “m” stands for “movement” – who knows.
yamata – don’t think so: SMTPE time code used in movies and tv= 00:00:00:00 (hour, minute, seconds, frames) that definitely doesn’t match prefix in these song titles.
ah just unearthed this from the spitfire audio site -https://www.spitfireaudio.com/editorial/features/scoring-a-film/part1/
CUE IDENTIFIER:::
The convention for this in film is [reel]m[ID] so your first cue in reel one will be 1m01 your second 1m02. On reel two you may have 2m13 etc etc. Some editors and composers reset so the first cue in reel two is 2m01, but this can be massively confusing if the cue changes which reel it is in. You suddenly have the filing difficulty of 2m01 (formerly 1m13).
If new cues are inserted as the film progresses, you can use “a,” “b,” etc… (eg. 1m02b).
also, FWIW(from the same spitfire article)::
Typically feature films will organise reels by hour (a reel is rarely longer than 20mins) Use the BITC(Baked in Time Code) to create an in point so for 1m01… 01:02:22:23 (which will mean hour 1, 2 minutes, 22 seconds and 23 frames (usually 24 frames for film, 25 or 29.97 for TV, but there are different conventions).
In TV they will start the episode from hour 10, and simply work linearly right into hour 11 and twelve if it’s an epic. We recommend using the prefix on the cue idea to describe which episode you’re in so the first cue in ep.1 is 1m01 the first cue in ep. 2 is 2m01.
whoa, many many thanks <3
1m5 – The 1 stands for reel number. 5 is the 5th cue in that reel.
2m6 would be the 6th cue in reel 2
good afternoon administrator I wanted to ask you if you can add Flac please, thanks
Add FLAC
thanksss ADMIN