On this soundtrack Harold Faltermeyer barely shows what made him popular in the 1980s. With a few exception like #11 Opala, he relates on usual standards which sometimes have a “cheap” synth sound and doesn’t differ from so many other game soundtracks. It’s a solid orchestral work though, which spares us of too much bombastic smashing, but it’s not exactly outstanding. Thanks for sharing.
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On this soundtrack Harold Faltermeyer barely shows what made him popular in the 1980s. With a few exception like #11 Opala, he relates on usual standards which sometimes have a “cheap” synth sound and doesn’t differ from so many other game soundtracks. It’s a solid orchestral work though, which spares us of too much bombastic smashing, but it’s not exactly outstanding. Thanks for sharing.